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9781905490547 English 1905490542 A new biography of Michelangelo by Martin Gayford, the acclaimed author of Constable in Love and The Yellow House. There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be. 'An absorbing book, beautifully told and with the writer fully in command of a huge body of research' Philip Hensher, Mail on Sunday 'It is a measure of Michelangelo's] magnitude, and Gayford's skill in capturing it, that you finish this book wishing that Michelangelo had lived longer and created more' Rachel Spence, FT 'One of our most distinguished writers on what makes modern artists tick . . . It is very difficult to cut through the thicket of generations of scholarship and say anything new about David, the Sistine Chapel, The Last Judgement, the Basilica of St Peter's or many of Michelangelo's other masterpieces, but Gayford manages to do so by encouraging us to think - and look - at both the obvious and the overlooked' Sunday Telegraph 'Only the most ambitious biographer can take on the talent of Michelangelo Buonarroti' The Times Martin Gayford has been art critic of the Spectator and the Sunday Telegraph. He is currently Chief European art critic for Bloomberg. Among his publications are: The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles, The Penguin Book of Art Writing, of which he was co-editor, Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud, and contributions to many catalogues. He lives in Cambridge with his wife and two children., A new biography of Michelangelo by the acclaimed author of" Man with a Blue Scarf" and" The Yellow House" There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic center of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David, and the Last Judgment were small or easy to accomplish. Like a hero of classical mythology, such as Hercules, whose statue Michelangelo carved in his youth, he was subject to constant trials and labors. Here Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.", There was an epic sweep to Michelangelo's life. At thirty-one he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter-Reformation. Few of his works - including the huge frescoes of the Sistine Chapel ceiling, The Last Judgment and the marble giant David - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.
9781905490547 English 1905490542 A new biography of Michelangelo by Martin Gayford, the acclaimed author of Constable in Love and The Yellow House. There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be. 'An absorbing book, beautifully told and with the writer fully in command of a huge body of research' Philip Hensher, Mail on Sunday 'It is a measure of Michelangelo's] magnitude, and Gayford's skill in capturing it, that you finish this book wishing that Michelangelo had lived longer and created more' Rachel Spence, FT 'One of our most distinguished writers on what makes modern artists tick . . . It is very difficult to cut through the thicket of generations of scholarship and say anything new about David, the Sistine Chapel, The Last Judgement, the Basilica of St Peter's or many of Michelangelo's other masterpieces, but Gayford manages to do so by encouraging us to think - and look - at both the obvious and the overlooked' Sunday Telegraph 'Only the most ambitious biographer can take on the talent of Michelangelo Buonarroti' The Times Martin Gayford has been art critic of the Spectator and the Sunday Telegraph. He is currently Chief European art critic for Bloomberg. Among his publications are: The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles, The Penguin Book of Art Writing, of which he was co-editor, Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud, and contributions to many catalogues. He lives in Cambridge with his wife and two children., A new biography of Michelangelo by the acclaimed author of" Man with a Blue Scarf" and" The Yellow House" There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic center of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David, and the Last Judgment were small or easy to accomplish. Like a hero of classical mythology, such as Hercules, whose statue Michelangelo carved in his youth, he was subject to constant trials and labors. Here Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.", There was an epic sweep to Michelangelo's life. At thirty-one he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter-Reformation. Few of his works - including the huge frescoes of the Sistine Chapel ceiling, The Last Judgment and the marble giant David - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.